xmlui.dri2xhtml.METS-1.0.item-abstract:
The invitation to originate the architectural values in the Contemporary Arab Planning and Architecture considers an invitation of protecting the subjectivity of the Islamic Arabian Nationality from the factors of deformation, corruption, ignoring its importance and inherited characteristics through generations.
The originating process of the designing pattern of the Islamic Architectural Elements considers an integral part of the invitation to the continuity of conserving the patrimony and confirming its superior cultural rank, this through the different stages that could coeval with such civilizations.
The Islamic Architecture is not concerned on a certain shape or pattern, but it is the content or the style that affected by the original value. So, and through that, our goal is to rejuvenate the patrimony with a modern developed thought, and to return the psychological balance of the contemporary man to realize its purpose and aim from the life with the architectural values that helping him to do so.
The Islamic Art in its nature was a life environmental art, the beauty plays a distinct role depended mostly on decoration. The decorative style is clearly appearing in the using of the artists to several types of decorations when decorating their artistic products. In most cases, they inspired from the nature, used its elements and imitated it with an abstractive style to realize the designing development from decorating the basic and supplementary architectural elements that confirming the Islamic Style.
The Islamic Art could reach in the geometric decorations incomparable rank with any other art. Moslem Artists could develop the natural elements into forms of geometric decorations on studied basics, as they created types of such decorations could not be known by any other arts. This in addition to converting such decorative elements into decorative Kofi papered writings surrounding both house and mosque with decorative Koran Verses with such elements as supplementary artistic creations in the architecture.
In the recent time, many of the Western Historians and artists could philosophize that the Islamic Architecture Arts are not designing art, but they are a craft, this made us confirm the research's issue that is specifying as follows:
The conservation of the Islamic Architectural Patrimony, and to inspire designing alternatives from the nature for the modern architectural elements with the Spirit of the Islamic Art, particularly in Modern Glass Designing. Where the research hypothesizes that:
* It can use the designing principals, characteristics and styles of the Islamic Decoration with technological data of the contemporary thought that can be formed in the Islamic Architectural Facades and apertures.
Also it can inspire from the nature designing alternatives for endless numbers of the Islamic Decoration by repeating them, can be a new and a modern addition to the Islamic Elements to be used in the Glass Facades and Apertures.
